I ran into a random photographer in the field awhile back. During our conversation I mentioned I shoot with Photoshop in mind. He claimed he didn’t do any post processing to his images. He seemed to feel it was cheating or not real photography. He felt the artistic skill was lost if you used Photoshop to enhance your photos. The only way for the photo to be authentic was to be the camera capture and perfecting that was the real form of the art of photography. I appreciated his passion and stance, that’s for sure. But at the end of the day, it’s not my job to save the world from “old school” photographers, so I shook my head in disbelief and wished him a good day.
Years ago, when I shot slide film (chromes), I became aware of the importance of Ansel Adams’ place in the world as a photographic artist. I took a one week photo workshop with Rocky Mountain School of Photography. I was fortunate to be instructed by the school’s founder, Neil Chaput de Saintonge. Neil had studied under Ansel Adams and shared many of Ansel’s techniques. Ansel was an artist who used his field work and the photographic negative as his canvas. Most of his time was spent in the darkroom, not the field. He mastered the process of dodging and burning which gave him the ability to better control the viewers eye and stir up an emotion. He is known for this quote; “Dodging and burning are steps to take care of mistakes God made in establishing tonal relationships”. I left the week with a whole new understanding of my interest in photography and where I wanted to go with it. How to get there, however, took a very long time for me. Ansel worked with Black & White film, which allowed a lot of room for manipulation in the darkroom. I shot color slide film. It was extremely difficult to work with slide film in a darkroom and so very few did. Slide film had no room for manipulation due to its extreme limited latitude. We just had to accept what came back from the lab. It wasn’t until I owned a good digital SLR and taught myself Photoshop that I found my way.
Today I shoot all digital and use a variety of software including Adobe Photoshop CS5 and Adobe Lightroom 3. When in the field, I often think with Photoshop and Lightroom in mind. It’s taking an already fantastic scene, framing a great composition and being sure to nail the exposure so that I have a canvas on which I can do my thing. Once in Photoshop or Lightroom I maneuver the sliders and lay down some brush strokes in special select areas of the image. By doing so I can control the eye to land at a particular place in the photo as well as control the time it takes getting there. For me, post processing is as important to a great photograph as is the time of exposure.
Unlike the photographer that I spoke of at the beginning of this post, the image that comes out of my camera is merely the beginning of the process of making my photographs into art. You can see from the samples below that if I took what came out of the camera and considered it finished…welll…you be the judge.
Other than stitching in Photoshop, this image is how it looked coming from my digital camera.
This is the same image but after hours of careful post processing.